Showing posts with label short story. Show all posts
Showing posts with label short story. Show all posts

Tuesday, July 19, 2011

bad news for the short story



I was all in a warm glow about the short story's radiance on the radio after having one of my stories broadcast in June (see my last post), and not least because it was chosen for Pick of the Week. So, I was dismayed to discover this week that the new BBC Radio Four controller Gwyneth Williams, has decided to reduce the story reading slot to ONE a week (it used to be every weekday).


I know how well loved these story slots are by writers and by listeners alike - fifteen minutes of transportation through voice and words. We are the envy of the literary world.


Cries of anguish and protest are being orchestrated, both in the e-petition (below) and through the Society of Authors to which you can add your voice. It's hoped that a question will be put to Gwyneth Williams about this on Radio Four's Feedback programme this Friday, 29th July.


I couldn't summarise the issue better than James Robertson has in his comment on National Short Story Week's e-petition:






"This does seem an incredibly retrograde step, and particularly ill-judged since Radio 4 is one of the very few media outlets which can demonstrate a truly excellent record in supporting and promoting the short story as a literary form. It seems to me that radio is THE pre-eminent medium for the short story form. There should be more short stories, not fewer, on radio. The 15-minute story, read on radio, is perfectly suited for our current times of busy lives, multi-tasking and shortened attention spans. It is also, in relative terms as far as the creative arts are concerned, very produce.


"Looking at this from a Scottish perspective, I have a horrible sense of déjà vu. For many years Radio Scotland carried an excellent morning slot, five days a week, called Storyline. This was axed in 2000 after a hugely successful and varied eight years. Its demise as the only literary strand then running on Radio Scotland coincided almost precisely with a general dumbing-down of the station. Ironically, Radio Scotland is beginning to show an interest in developing literary and book-based programmes again, including broadcasting occasional short stories. But there is no question that, to my mind, the regular broadcasting of short stories is one mark of an intelligent and creative radio service. It would be appalling if Radio 4 chooses this moment to ditch its honourable and long association with the short story form."

Thursday, September 23, 2010

A new school project

I start a new project tomorrow in Inveralmond Community High School, Livingstone. Working with writer Mary Paulson-Ellis and teacher, Michael Stephenson, we'll be helping a third year group to develop stories through prompts which we hope will emulate our own creative processes and also emphasise the 'play' aspects of writing.

Michael is also currently the Scottish Book Trust's on-line teacher in residence, so his thoughts on the project can be followed through his blog, starting with his explanation of our approach to generating pupils' choice and enjoyment in their creative writing.
Tomorrow we're thinking about our first impressions of high school life, and what footwear tells us about characters...

Friday, July 02, 2010

Into the Deep


I'm very delighted to have a new story published in issue 46 of 'Mslexia', just out. The theme this time was 'Into the Deep' and the selector was Christina Patterson - a writer and columnist at The Independent, former director of the Poetry Society, and literary programmer at the Southbank Centre, who writes on politics, culture, books, travel and the arts. She descibes my story thus:

‘Breathing Common Air’ switches between a glacier, a deep-sea dive, a sofa and a mountain summit, and between the impulses that draw two people together, and then drive them apart.

Her full essay about the theme and submissions can he found here. But you have to get the magazine to read the story.

Thursday, March 04, 2010

Gutter issue 2


Delighted to have received mint-green issue 2 of Gutter magazine, with my story 'Turning Soft' inside. It's very much an August story and quite strange to re-read it today with snow piled up to my ears! Gutter issue 2 packs in bags of writing goodies including personal favourites Ron Butlin and Sophie Cooke. The launch is this Saturday at Aye Write Festival, Glasgow.

Wednesday, January 27, 2010

Into the Gutter

It's a while since I've written any new short fiction, so I'm very chuffed that a recent story, Turning Soft, is about to be published in the second issue of exciting new magazine of fiction and poetry, Gutter, and to see what good company I'm in here.

Launch in Glasgow during Aye Write on March 6th.

Monday, November 30, 2009

short and deep

Last week I talked about my fiction to over 350 people. Many of them had read several of my short stories in advance. This would have been humbling in any circumstances but as the audience were 16-18 year-olds in Zurich, and as my stories can be pretty obscure even for native speakers, this audience seemed quite extraordinary.


As I’ve been writing much more non-fiction and drama recently, it was an enjoyable process, going back to stories written as much as ten years ago, and recalling the spark that set them off – that image, or line of overheard dialogue - and then trying to remember how I 'grew' it into a story. When one school emailed in advance to suggest it would be best if, on my visit I read something, ‘entertaining, funny or exciting’, I had a minor panic. Had they read my work? Would I have to write something specially? It made me realise how steeped my stories are in nothing happening/dark places.

During my talks, I showed the students a photo of the sea – gentle waves, a straight horizon, a monochrome surface. Something might happen, I said, like a boat crossing, a bird landing. But not much. This is a bit like a short story on first reading. Then I showed them an underwater photo. Tangled weeds, deep shades and luminous shallows, teeming bright fishes. Surprises. Here are the lurking depths of the short story, I told them. If you find the reading difficult, be reassured. Read, re-read, pore over the words and the gaps in-between them, like a diver searching for meaning.

And so a discussion began, about how the short story is as much about what doesn’t happen as what does; as much about what is unstated or omitted. I hope that their repeated searches through one or two of my stories will have rewarded them with deeper meaning. As Flannery O’Connor said: ‘Being short does not mean being slight. A short story should be long on depth.’


I returned home, head full of short fiction, to find in the post a copy of Short Circuit (in which I have a piece). This is Salt Publishing’s how-to book about the craft of short story writing, brought together by writer Vanessa Gebbie. As a methodical coursebook I've always sworn by Ailsa Cox’s Writing Short Stories. Short Circuit is quite different, and complementary, bursting as it is with writers’ generous accounts of their own creative processes, what captivates their writing minds, how they find a voice, as well as advice to new writers including suggested writing exercises, and of course, recommended stories to read. Graham Mort, Paul Magrs, Tania Hershman and Clare Wigfall are included - new exponents of the form as well as old hands. Personal, quirky, and straight from the horse’s mouth. Well worth the £11.99 if you buy it direct from Salt here.

And find Sally Zigmond's fascinating analysis of the title story of Vanessa's collection 'Words from a Glass Bubble' here.

Monday, October 12, 2009

The Searching Glance comes out in paperback


Delighted that my short story collection, The Searching Glance is issued in a new paperback edition from Salt Publishing on 15th November, and available immediately direct from their website, at the great price of £7.99.

Thursday, June 25, 2009

Save the Small Publisher (and get 33% off!)

SALT, publisher of my most recent short story collection, The Searching Glance, have been in financial difficulties. Close to the brink, they are clawing their way back through the 'Just One Book' campaign. Readers of short literary fiction and poetry are invited to show their support for small independent publishers of these non-commercial genres by buying one book from Salt's titles. The impact in the press and in £££ has been startling, a testimony to the respect SALT have gained for their niche.

So, just a reminder that buying a copy of The Searching Glance from SALT here will be contributing to the campaign... and there's 33% off until the end of August.

Wednesday, May 28, 2008

Where fiction and mountain rescue meet

MOUNTAIN STORY COMMEMORATES 100 YEARS OF S.O.S.

My short story about a mountain rescue, ‘The Weight of The Earth and the Lightness of the Human Heart’ is broadcast on Friday 4th July as part of a week of BBC Radio 4 stories themed, ‘S.O.S. – Save Our Souls’, to commemorate 100 years of the international distress signal. The story was recently published in my second short story collection ‘The Searching Glance’.

The story was inspired by my own adventures on foot in the hills, talking to a member of a mountain rescue team and learning about the mythology of the iconic hill, Schiehallion. The Producer summarises the story, ‘a climber teeters between life and death on a remote hillside as a rescue team search for him. This small human drama catches the attention of the mountain itself in a tale which skilfully blends love, loss and mythology in a lyrical ode to human tenacity’. Ralph Riach is the reader. The story is particularly apt for 2008 which marks the 75th anniversary of mountain rescue in Great Britain.

During the week, this and other commissioned stories by Colette Paul, Paul Magrs, Alison Joseph, and Stuart MacBride, include the most literal portrayal of an SOS signal to the loosest interpretation of a cry for help - and everything in between.

The following day I leave for the Alps, to follow in my father’s footsteps on his summit-bid of 1952. This is part of the project for which I was awarded a Creative Scotland Award in 2007 to write a series of ‘journey-essays’ inspired by human stories in ‘wilderness’ areas. The ten walking journeys include a Scottish drove road and ‘Mozarabic Trails’ in south-eastern Spain.

Friday, May 16, 2008

The Searching Glance gets read...

Delighted to find a five star review on Amazon.co.uk. It doesn't even appear to be written by my Mum. I hadn't realised that anyone took the trouble to write such well considered and beautifully written reviews for this outlet - but there it is, thanks to Emily MacArthur.

It's also rather a thrill to find The Searching Glance rubbing names with books by Anne Enwright, Roddy Doyle and Jhumpa Lahiri on the longlist for this year's Frank O'Connor Award - the richest award in the world for short fiction.

I read at the beginning of this week at the Robert Burns Centre in Dumfries with Sara Maitland, followed by a discussion on the short story chaired by local writer of many genres, Tom Pow. Sara's powerful collection Far North and Other Dark Tales characteristically, for her, draws on myths, legends and fairy tales, forms that as she pointed out, bely the notion that the short story form was only invented in the mid 19th century, see review.

Many of the issues we discussed are covered in an article that appeared this week in the Canadian 'The Record' - how short stories have come to be regarded as the black sheep of literature; why they are regarded by some publishers as mere writing practice for would-be novelists; and that question we short fiction writers pick away at: are short stories not published because they are not read, or not read because they are not published?

Monday, March 31, 2008

The Searching Glance in Penzance


A visit to Cornwall in Springtime and the fabulous independent Morrab Library for a reading from The Searching Glance and a talk. The Cornishman newspaper gave the event a lovely write-up. In particular I liked the reference to William Trevor's definition of the short story - "I think it is the art of the glimpse. If the novel is like an intricate Renaissance painting, the short story is an Impressionist painting. It should be an explosion of truth."

Wednesday, March 26, 2008

The Searching Glance launched at the Aberfeldy Watermill March 8th 08



This is what James Robertson had to say about the book:
'Linda Cracknell's attention to detail is impressive: she writes as a painter in oils might paint, using a palette rich in both colour and texture, and the people she brings to life seem at once both part of and alienated from the landscapes in which they move. These are quiet yet passionate stories, subtle and striking in their effect.'
Reviewed in Comment magazine....
See also a review of one of the stories on Laura Hird's website:
'Another story that stands out is Linda Cracknell’s ‘The Weight of the Earth and The Lightness of the Human Heart.’ Even if the title is something of a mouthful. It’s a beautiful story with a mysterious and mythic heart. A pagan heart. Set at Halloween, when a climber is lying on a mountain, freezing to death, the narrator is unnamed, undefined and most certainly not human.'
Also read extracts from two of the included stories: Angel Face and Night's High Noon

Tuesday, February 26, 2008

The Searching Glance

My book of short stories is in your bookshop any day now (or if it's not, please ask them to stock it!). I will have everything crossed for Salt Publishing on the 8th March when they hear the results of the 'Nielsen Innovation of the Year' of the Independent Publishing Awards for which they are shortlisted.

It's a brave act to publish short stories in the current climate - they are notoriously hard to market and unpopular with readers, bookshops, libraries. I would argue though, that this is partly lack of practice. Perhaps we need to read a short story more as we read a poem than a novel - more than once, carefully weighing it in our mind, being prepared to work hard at eliciting meaning. I like Richard Ford's view, that 'short stories are the high-wire act of literature', they require bravery from all of us - writer, publishers, readers... COURAGE!!

Friday, April 13, 2007

Short, sweet and poor relation?

The shortlist of five for the £15,000 National Short Story Prize was announced on the Today programme this morning and I was delighted to find Jonathon Falla and Jackie Kay on it - perhaps supporting the notion of the short story form being particularly alive and well in Scottish literature. I’ll look forward to hearing all the stories on Radio Four next week.

I’ll also keep hoping that initiatives like this will lead to greater confidence in the short story form amongst publishers, agents, booksellers, libraries and thus reflect in the awareness and interest of readers. There are so many cries of protest – ‘where do you put them in a bookshop?’; ‘they don’t sell well’; ‘but I want to know what happens next’; and the polite question directed at the persistent short story writer, ‘When are you going to write a novel?’ with the implication that you haven’t quite grown up until you have extended yourself into an entirely different form.

Simon Prosser Publishing Director of Hamish Hamilton has said, ‘The short story form is better suited to the demands of modern life than the novel’. Personally I feel this misses the fundamental joy of reading a good short story. We don’t love them for not taking up too much of our precious time, but for their sheer intensity, their ability to say so much and affect us so deeply in so few words. Reading a short story is perhaps more akin to reading a poem. Perhaps in the same way, we have to read it more than once, or set it aside before starting to read something else, as we let it do its work, resonating in our minds, and allowing us to imagine its continuing world.

Wednesday, December 13, 2006

Christmas Story


Angel Face

‘So where did you get this?’ Alec picked up a head from where it lay on Tom’s workshop floor amongst coils of chain, steel brackets, a redundant ring gear and a starter motor.
‘Skip. Behind Makro’s,’ said Tom, wiping white paint down his boiler suit leg.
Alec cupped the head in his hands. It had beigey-orange flesh tones and a cleanly machined amputation at the neck. ‘Wanted someone to talk to - that it?’
Tom took the head out of Alec’s hands, stood it on the plastic-sheeted block, pulled his mask back down, and took aim with the paint gun. Alec noticed how he was careful not to spray too heavily, avoiding drips. The head turned white, hair and all. Alec found it hard with its new, eerie finish, to imagine it on display in the window of the local clothes store, parading on its missing body some daft shell suit. Like the red one he’d seen last week, with the white trim, labelled ‘For your seasonal flight of fancy - only £9.99’.
He looked away, stood for a moment shaking his head, then stomped back to the canteen. Tom was away with the fairies. He never joined the boys at lunchtime these days for the ricochet of dirty jokes and crossword clues through the smoke and coffee fumes. He stayed in his workshop with his lunch-box propped open behind him, eating as he messed about with his useless, ugly constructions. And now it seemed he was spending his nights scrabbling around in skips behind the arcade.
He’d better watch it, that’s all. Alec had seen Nina’s pinched, crabbit face glaring after Tom from their doorway. She’d never exactly been a beauty queen, right enough. But these days she was chewing lemons. He knew trouble when he saw it – the shadow of a silent battle raging between her and Tom. A battle Tom maybe didn’t even know about.
When Alec passed the workshop again after his lunch, Tom was gazing at the white head, hands on his hips. Alec caught sight of a long straight nose, and hooded eyes that now seemed naked of lashes and pupils.
He’d seen people standing like Tom - in the museum when he’d taken the kiddies that time. Lost and absorbed in front of paintings. Look, look, look. They’d made him want to laugh. All that looking.
‘What flavour is it anyway?’ he shouted at Tom, making him jump. ‘Male or female?’
‘Never really thought,’ Tom turned his gaze back to the head.
‘And, eh… what’s it for?’
But Tom didn’t hear him above the clank and wheeze of the machines being started up again after lunch. Or he didn’t answer anyway.



Alec noticed in the following days how the head watched over the workshop from the bench, silent and serious, while Tom painted other bits and pieces in his lunch-hours. He’d welded together an upright T-frame taller than himself. Lengths of drive chain were now draped side by side over the horizontal bar to make a dense sheet which reached to the floor. Then he sprayed it white. From a distance you just saw a waterfall of white, not the chain at all. But he’d wrecked it. The parts would never move again with that paint seizing up the plates and rollers. Alec wondered if the boss knew.
Flat on the floor Tom had coiled some chain within the outline of two lozenge-type shapes. He’d fixed the chain rigid. Painted them too.
Now he was spraying a ring gear, taking care to penetrate the paint deep between the teeth.
Alec hovered nearby, waiting. Tom eventually turned off the gun and pulled up his mask.
‘Got all the bits now, Alec. Just need to assemble it.’
‘Into what?’
‘See this,’ he indicated the ring, ‘this is going to be the..’
‘Christ’s sake, man.’ Alec’s frustration barked across Tom’s explanation.
‘Well if you’re not interested...’
‘What do you want me to do – burst out in fairy lights?’ Alec watched Tom clearing up, presumably preparing to resume his paid work. ‘Do you not need your job anymore?’
‘Course.’
‘And what about Nina?’
‘Nina?’
Alec felt himself fumbling, something child-like rising behind his eyes, connected to the angry knot in his stomach. ‘Look,’ he said. ‘Look.’
Tom frowned.
‘Look,’ Alec tried to lay the words down calmly, to breathe. ‘It’s that long since we’ve had a pint together. How about the Cross Keys later, eh?’
Tom was wide-eyed. ‘I was going to ask you a favour.’
‘Eh?’
‘About your pick-up. Any chance of a hand tonight, a lift? With your pick-up?’ Tom’s smile smoothed his face, licked it into a mesmerising grace. ‘Then a pint, eh?’
continued....



Read the remainder of the story in The Searching Glance
First published in 'Southlight' magazine.

Sunday, December 03, 2006

A short story for this time of year

Advent

After I’d settled into the hotel room, unpacking my spongebag, hanging up suits and blouses in the wardrobe, and plugging in the laptop ready for the inevitable evening working, I took the advent calendar Malcolm had given me out of a large envelope. I re-opened the three windows which had been squashed flat, and stood it on the desk.
We don’t make a fuss about Christmas, usually both work flat out till the last minute, then treat it as a long weekend. The advent calendar was a first that year, because I was going to be away from home I suppose. I wasn’t sure that I liked the gesture - was it so I could count the days till we were back together?
‘It’s definite’, I’d said, ‘I’m to spend two weeks at the Head Office before Christmas.’
‘OK. Why’s that again?’
‘To work with the editorial team there. It’s a new series of Maths books. For secondary schools.’
‘Interesting?’
‘Not specially.’
He was organising papers for the next day’s meetings at one end of the sofa. My briefcase spilled open at my feet at the other.
‘You’ll miss my office dinner dance,’ he said, putting a sheaf of papers back into a folder.
‘Yes.’ Indifference sat between us like an adolescent at a grown-up party. ‘Yes, I will.’

On the first morning at the hotel, before leaving for the office, I sat down at the desk and opened the fourth window on the calendar. It felt vaguely familiar. The anticipation as I scanned for the next number amongst the reindeers, robins and sleds; the graze of glitter against my finger; and finally, the unlocking of a miniature revelation by a fingernail hooked under a flap in the card. That day the window revealed a parcel, wrapped around with a large yellow ribbon. It gave me a little glow of surprise. I found myself looking forward to this ritual each morning during my stay.
The walk to the office gave me an insight into the midwinter city. The whole population seemed to have come out in the middle of the night and vomited on the pavements. Sometimes only dark star-shaped stains were left by the pigeons. Cars were belittled with traffic cones on their roofs. Streamers, tinsel and deflated balloons dangled from benches and telephone boxes.
I left the office for a breath of fresh air at lunchtime and found the morning quiet had surrendered to clamour, as offices were abandoned en masse to take over restaurants. I couldn’t make out how anyone got any work done. I felt misplaced in the city, frumpy in office clothes, in the midst of a massive street party. Cars circulated the city with tinsel streaming from their aerials, bass beat bulging the windows outwards.
Leaving the office under cover of darkness at five o’clock, I shared the pavements with shoppers and party-goers. Groups of young people with arms locked shouted Christmas pop songs. And after midnight that night, I could see from my hotel window, as I packed up the laptop for the night, men in suits and dark overcoats weaving along pavements, briefcases still clutched under their arms. They bantered with groups of girls on their way to clubs. I wondered if they had wives who had to put up with their cold bodies crashing late into bed and snoring.

Towards the end of the meeting, my colleagues started talking about something which had nothing to do with me. The details of a book promotion which would happen when I was weeks away from there. My mind started to wander, but I positioned my features and the angle of my head to look attentive, moved my eyes onto whoever was speaking. The occasional nod or murmur. Terry was in full flood, a cigarette stubbed out in front of him, black coffee half drunk, saying something about post-modernism.
The game started because as I watched, he took his jacket off, hooked it over the back of the chair; never stopped talking. I continued the process. Cream polo neck slipped easily over his arms and head; slip-on shoes slipped off; olive green chinos dropped to his ankles; and finally the underwear (vest, no; boxers, yes). I kept it decent, snipped the elastic hospital-style with scissors and kept my eyes averted. Then I scooped him up in my forearms, and laid him gently into a satin-lined coffin, pressed his eyelids down with my thumbs. Something was missing. That was it - today’s advent image. I put a spray of mistletoe between the clasped hands on his chest. He immediately became inoffensive. In fact, mysteriously, I warmed to him. I obscured the chuckle which was threatening to escape in a cough. Margaret was flashing her gold earrings and long red nails - she could be next.
As December progressed, meetings frequently finished with an invitation for lunch. At first I tried to escape, clutching my briefcase, but the climate was persuasive. Normally stressed-out editors smiled more, gave in to this pressure with weary fatalism. And my office routines were over a hundred miles away. Bar tenders tempted us with mulled wine or cocktails. No-one cared about big bar bills. Christmas pop played in the background. I found myself drawn into conversations about families and friends, not about work. The boundaries between work and pleasure seemed to blur.
The office night out came around while I was there. Between leaving work and meeting the others at the restaurant, I had about two and a half hours and I wasn’t going to sit at my laptop. It was dark, and as I strolled up the hill, briefcase in gloved hand, I could see through the windows that the bars were already filling up. My breath misted out in front of my face, fogged the milky way of lights suspended from trees along the High Street.
In front of me a girl emerged out of a pub, and swung around to laugh back in through the door. Music and laughter escaped onto the pavement for a moment before the door enclosed the party again. The girl turned and walked up the street ahead of me, lighting a cigarette. A white wool jacket swung around her hips, accentuated the long legs in black velvet jeans. Her dark hair was cut sharp at her shoulders; it shone and swung under the street lights.
It was Thursday; late-night shopping night. A novel thought occurred to me. I could buy something special to wear, before a quick shower at the hotel. A present to myself. I wandered into the shopping centre, brushing against groups of teenage girls who glowed and bounced in short-skirted clusters, geared up with carrier bags from Oasis, rolls of wrapping paper and wide smiles. It was a shop I didn’t know; not one I frequent for my publishing executive clothes. Soul music slunk around us, removed workaday worries, suggested a different order of priorities; the importance of partying and the need to glitter. I avoided the obvious festive clothes - too transparent, skimpy, black. Just imagine what Malcolm would say, ‘You’re not in your twenties now, Fiona!’
It was the feel that sold it to me. My hand strayed onto it when I was looking at something on the next hanger. It poured against my hand like oil. I expected black or chocolate brown, and was surprised by deep orange.
V-necked and long-sleeved, it was cut in at the waist and then flared out. I faced the mirror in the fitting room as I buttoned it up, feeling the velvet slip and warm against the skin of my waist. As I moved to look from the side, the velvet hem swung heavily, as the white coat on the girl earlier had done. I found myself smiling into the mirror, pulled my hair up and off my face, twisted it on the top of my head, and looked again. Something was coiled up in my stomach. Excitement. It was how Christmas felt when I was a child.

To get into the club, we had to push between bodies melted together by the crowd. Bare shoulders glowed in the lowlight. It was hot, and I felt over-dressed in the black crombie which had barely kept me warm in the sharpness of the street. The volume of the music conspired to make everyone intimate, forcing heads together, brushing lips on ears for the simplest conversation about orders at the bar. The coil in my stomach seemed to compress and expand, resonating with the beat of the music. The idiocy of the crush, the heat, the unfamiliarity, all added to it. Imagine ever doing this at home. But it was better not to think of that.
I’d already drunk more than I was used to, but I wanted more. We dazzled smiles at each other. I was left alone with the afterglow as Margaret went for drinks and Terry took away the coats. Aware of the way the light hit the orange blouse, I dropped my shoulders, laughed upwards, felt the heavy velvet swing.
From the direction of the cloakroom, a sprig of mistletoe advanced. Trembling above heads, it pitched and stalled its way towards me.
‘Happy Christmas!’ Terry darkened my space with an arm around my shoulder, caught the edge of my mouth with a kiss which smelt of warm leather, and tasted faintly of smoke. It should have been disgusting. A gurgle of laughter bubbled up from the bottom of my stomach. I felt the curl of orange around me, felt my whole body smile. It was so completely what I deserved. Like Belgian chocolates after a heavy week of meetings. It was familiar. As if I was in a film. Emulating black-and-white, Ingrid-Bergman-glamour. As he pulled away to continue his mistletoe pilgrimage, he slurred ‘sexy stuff’ and rubbed a bit of my sleeve between his fingers. And I knew, absolutely, that I was desirable.

In the narrow street on the way back to the hotel, I followed a young man with a ponytail. His leather trousers were well-fitting, slightly ruckled around the ankles, his legs bowed a little at the knee, enough to suggest athleticism. He turned his head a little, in a vulnerable way, aware of my presence behind him. If I could whistle, I might have been tempted to.
Back in the hotel room my ears buzzed and I didn’t feel like sleep. I sat on the edge of the bed. I didn’t have much to pack. I picked up the advent calendar, looked at the pictures of parcels and mistletoe, the white-bearded man assuring happiness. Only a few windows to go. It was nice of Malcolm to give it to me. It had been fun. It had gained a special status, but that had nothing to do with being away from or going back to Malcolm. It was as if it marked a time in which I’d been allowed to play, to enjoy some midwinter madness. I put my lips to it, pushed the windows shut and put it back into the envelope, ready to go in my suitcase.
And then I recognised a new feeling. Not the coil in my stomach this time, but another of those feelings from Christmases past. Usually it comes a bit later though, on Christmas Day, when you’re searching around under heaps of torn wrapping paper, and you realise there are no presents left to undo.
I took the new blouse off, pressed my nose deep into its smoothness. Breathed in smoke, beer, a faint whiff of after-shave. I put it on a hanger by the window to air, opened the empty suitcase on the bed, and went over to the wardrobe. I decided on a navy suit for the journey home, and started to fold all the other clothes into the case. A thought flirted its way into my mind, shameless and brazen. It danced across in front of me as I leant over the suitcase, flattening the pleats of a skirt. I looked over one shoulder at the navy suit, and over the other at the orange blouse. They both hung there, suspended above the floor, watching me like a couple of angels. All they needed was wings. I stood up, smiled, pulled the navy suit off its perch and stuffed it into the suitcase. I’d wear the orange blouse home. Smells and all.

Previously published in 'Life Drawing' by Linda Cracknell, NWP 2000, ISBN 1-903238-13-7 http://www.nwp.co.uk/cgi-bin/WebObjects/BiblioShop.woa/wa/storeProduct?category=fiction&sku=1903238137
Also broadcast by BBC Radio Four